Absinthe is really something to experience. The audience is gathered together rightly around a very small stage that rises and tilts on occasion and the acts that appear, duos, trios, solos and quartets, strip pretty much to not very much at all and balance on each other, whip around wearing roller skates, undulate in a bathtub, twirl down from the ceiling, balance on a tower of chairs, all under the bawdy emceeing of The Gazillionaire and his horny assistant Penny Pibbets.