The short title track begins this baker’s dozen, a floaty synth opener featuring Reed’s high warble, leading into the big Billy Idol-sounding second track, “Strangers.” In the press on this new album, Reed tells of foregoing his acoustic for his “Old Strat and Les Paul Custom,” and one recognizes the heavy power chord influence early on with this second tune, and again on the sing-able, commercial vibe of “Twisted World.”