Over Paul Hinton’s pedal steel and a softly strummed acoustic into Daniel Marcoux’s piano running a chunky race, I was instantly reminded of Tim Buckley when Haller began singing, his tight vocal floating very high into a very sweet thin tapestry. The title track’s got a sprink-ly picked acoustic with verses of spoken lyric, before it roils into a funky electric guitar thang. Drummer Barry Nameth provides a stuttering snare and solid backing vocals as well.