“Exploding Boy†shows Benjamins’ full range perfectly, a tune built on a razor’s edge of slow building, starting with a single echo note, strings coming up and then roiling percussion, all smashing down into piano and harmony “ahhs” once again for the end. “We Used To Live†has got hand claps against the piano and a gospel-ly sounding Benjamins, making it probably the biggest commercial tune here, a good dance track with key counter lines and a heavy beat that gets going on the choruses.
The plinky plaintive “Later On†ends, a quick tune with rising strings and a full in your face vocal.