Sigur Rós: Inní

Sigur Rós

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For a band whose concerts can be as expansive as its albums, it’s hard to believe Sigur Rós hasn’t released a live album until now. Certain aspects of the band’s music have always flourished in a live setting, and it’s captured, for the most part, on Inní, which was recorded at the end of the group’s 2008 tour.

The band was recorded here as a four-piece; no backing from stalwart string section Amiina for the first time in nearly 10 years. So while the arrangements may be a little less flushed or a few of the more cinematic songs have been eschewed, the set is bashed out in a raw, but no less immense, fashion.

While a number of tracks end up simply as lesser versions of their studio recordings (like “Hoppípolla,” “Glósóli,” and “E-Bow,” to name a few), there’s still plenty to enjoy. “Ny Batterí” has always had a darker and more intense rendering in concert; “Hafsól” is completely rearranged from its original version and builds to an exhilarating climax, and the closer-to-end-all-closers, “Popplagid,” is as monstrously powerful as ever. There are also some sweet little embellishments; singer Jónsi’s hushed, prolonged falsetto quiver during “Festival” being a particularly priceless moment.

Like most live albums, this is surely enjoyable for its standouts, but it’s hard to go back to with such pristine album recordings already out there. Vincent Morrisset’s beautifully shot concert film that accompanies the album is the real gold here, and is the better way to immerse yourself in the band’s often transcendental live show without actually being there.

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About John Mordecai

John Mordecai is a musician and writer from New Haven, Conn. He was the bassist for Brooklyn-based ERAAS (formerly APSE), and also plays (sometimes) in New England-based Shark and Brooklyn's The Tyler Trudeau Attempt. He also maintains a blog (sometimes) at http://selfsensored.wordpress.com/
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