The Brooklyn Expo Center was a whirl of gauchos, blazers and party dresses on Wednesday night as Brooklyn came out in fearless […]

While we commonly turn to pharmaceuticals for a variety of problems, the truth is many of us are looking to limit the […]

“Larger than life” is the description most associated with artist and filmmaker Julian Schnabel, so director Pappi Corsicato had a wealth of […]

Nine Inch Nails Bad Witch (The Null Corporation) Upon first listen, one almost expects to see promo photos of Trent Reznor with […]

On May 21st, the MoMA hosted a conversation between Swedish singer, songwriter, label owner, and producer Robyn and friend and fellow artist […]

Before hitting it huge with their 1973, The Dark Side Of The Moon album, ‘The Floyd’ was undergoing a great crisis of songwriting and identity trying to extricate itself from the influence of Pink Floyd’s leader, Syd Barrett. As infamous these days for his bout with madness and then reclusiveness post his Floyd years, a cult has grown up around Barrett, with many people divided, as Kopp makes clear, over what version of the band they like best, pre or post Barrett.

With an onstage persona mix of Alice Cooper meets Ma Barker, a video directed by none-other-than Trump’s favorite part-time gf Stormy Daniels, making music that barnstorms past trad. country fiddle-led ditties into full-on metal, one simply can’t take their eyes off of, nor their ears away from, Granny 4 Barrel. I had the pleasure to speak to Granny ‘herself’ about what this band of hard rockers hailing from upstate New York are presently at-Granny 4 Barrel was on tour with Texas Hippie Coalition and Kobra and the Lotus, rampaging through American bars when I managed this interview-and the whole idea of the concept behind this amazingly provocative act.

The iGaming world has grown significantly over the years and that means the number of slots have too. There are thousands and […]

I got lucky enough to attend an Oral History event with legendary Broadway icon, Chita Rivera presented by The League of Professional Theatre Women at the Bruno Walter Auditorium at the New York Public Library for the Performing Arts, Monday night. These oral histories are an ongoing program from the League of Professional Theatre Women, in partnership with the New York Public Library for the Performing Arts, chronicling the contributions of significant theatre women in all fields. For this night Ms. Rivera answered Richard Ridge’s insightful questions for an hour and smiled, made jokes, lead with her honesty that just made you love the lady even more then how much we all love her already.

We’re giving away one prize package to see the new film Indignation, now playing in New York, Los Angeles, and in select […]

The Concept The idea of not eating anything that is produced from an animal is increasing dramatically and people are enjoying healthy […]

Love him, loathe him, follow his exploits by trying out your own brand of kinkiness on regular occasions, or simply looking at pictures and reading his work with a “Oh no, not me, ever!” one can’t deny the historical significance of the ol’ Marquis de Sade. With the term ‘sadism,’ born off his name, even those not-in-the-know of all the Donatien Alphonse François, Marquis de Sade was about in his lifetime back in 18th century Paris, kind of get the hint of the man’s proclivities.